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I am so pleased to share that my painting, “Andrew, Drying” has been curated into Salmagundi Club’s overview of representational art that focuses on the human figure and face, as seen in the context of New York City and contemporary life.
I am deeply honored to be included in the 2024 Long Island Biennial: The Body Politic, at the Hecksher Museum in Huntington, New York.
Farmingdale State College is thrilled to announce, and I am delighted to share that my work has been included in the highly anticipated return of one Memorial Gallery’s most beloved exhibitions.
I will be presenting on “Professional Practices” at this special Visual Artists Weekend Workshop.
I am thrilled to be showing a selection of my work at Galerie Lucida with a group of friends. This exhibition’s theme is based on our get-togethers to paint “the nude in nature.”
I was commissioned by Martin Luther College (New Ulm, MN) to create illustrations/artwork for an Advent devotional in 2023.
I am happy to share that I will be jurying an exhibition, “New England Landscape” at the Lyme Art Association, Old Lyme, CT in September 2023.
I am happy to be participating in Abend Gallery’s exhibition dedicated to the awe-inspiring beauty of nature's landscapes - Contours of Nature: An Exhibition of Landscape Art.
I am honored and privileged to have made the interpretive exhibition design for “Edward Hopper’s Boyhood on the Hudson River & Emerging Artistic Identity” at Edward Hopper House Museum & Study Center. I collaborated with Edward Hopper House’s Executive Director to bring to life the environment for the show.
I am thrilled to have a work curated by Michael Gormley and Peter Trippi in Equity Gallery’s exhibition, The Male Nude: Turning the Gaze, which aims to level the visual field through a full-frontal celebration of men’s bodies.
I am happy to share that two of my “Beekeeper Portrait Project” paintings have been curated into “Resurgence” at Mills Pond Gallery, September 25 - October 23, 2021.
I am delighted to share that a recent work of mine has been curated into Equity Gallery’s “Recumbent: The Art of Lying” exhibition in New York, on view September 8th— October 2nd, 2021, juried by Sharon Butler, Judy Glantzman, and Daniel Maidman.
These portraits have stretched my capabilities, and this project has grown beyond the grant. Curator John Cino has graciously agreed to “debut” this project's development in a pop-up exhibition where these paintings now invite you into every stage of my paintings' process: That you are able to step into my process is like inspecting a hive to see how the whole sweet system is being built.
I am honored to participate as a guest speaker in this workshop enlivening the agency of art models with studies of Edward Hopper’s paintings of lone women, and a conversation with a professional artist’s model.
Moderated by Lauren Amalia Redding and hosted on H&R Studio’s YouTube Channel, Diana Corvelle, Miguel Carter-Fisher and I discuss just how well we know—or decline knowing—our models, and how those relationships (or lack thereof) influence our portrayals.
I am happy to share that three of my works have been selected by Max Ginsburg and will be shown in Mills Pond Gallery’s “Contemporary Realism” exhibition, September 12 - October 17, 2020, in Smithtown, NY.
This exhibition celebrates women artists and 100 years since the 19th Amendment was signed in August 1920. Edward Hopper’s wife and a professional artist in her own right, Josephine Nivison Hopper was thirty seven years old when she voted for the first time.
Invited by curator Katie Koenig to participate in this “Inspired apART” online exhibition, I’m proud to be in such beautiful company of artmakers!
Because Abend Gallery is exercising caution and care for their patrons and public during the Coronavirus outbreak by closing their physical doors, they have opened up online gateways for you to still see the Artists Off Grid exhibition, and in these Gallery Talks, to get to know the artists.
“There are things you know about, and things you don’t, the known and the unknown, and in between are the doors..."
- Ray Manzarek, Newsweek, 1967
Even with insider experience, it's as though I'm peering past the edge of the fantastic map where "dragons" are rumored to be. Being off-grid is terra incognita for me.
I’m going off the grid!
"Decadent? Definitely. Pleasurable? Indeed. Guilty? But of course."
To create art is also an act in self-sufficiency, intelligence, and courage ... and the eleven women artists in No Net Ensnares Me assert their own independent wills to make. Fastidious technical knowledge, exploration of materials, and emphasis on craft and skill demonstrate that these artists, and their artworks, speak in a voice as clear as Jane’s.
I am thrilled and honored to be included in this exhibition, curated by Dina Brodsky & Trek Lexington, at The Lodge Gallery in October 2016. Here's a sneak peek on instagram: palettepainting_2016
I'm pleased to participate in the 1st Annual Portrait Show at the Jo Hay Open Studio gallery in Provincetown, Massachusetts. Jo Hay Open Studio is donating 25% of all sales to the Provincetown Center for Coastal Studies.
I am pleased to have been the "guest editor" for selected articles in the STUDIO PROJECT series in LINEA: The Artist's Voice.
Each artwork in this exhibition is a vehicle for a personal interpretation of some of the emotions - joy, conflict, struggle, hope, anxiety, passion, challenge - that I have experienced through my time as a full-time Caretaker of the residency program at Vytlacil.
Seen through a feminine lens, climate and culture change, cohabitation, dominance, sacredness of place and perception are re-examined. The ensuing dialogue between these artists works encompasses the tension perched between permanent and impermanent.
This "console" piano I painted is in honor of my sister, whose work as an interior designer increased people's quality of life through the environments in which they lived.
(I was featured in the bottom photo of the printed issue - click "read more" to see.)
And although the pianos — which are designed by an array of volunteer artists, community members of all ages, and celebrities — are only out in the public for two weeks, the plan is to allow the instruments to continue to have a life influencing others.
This year over 400 artists responded to my call for work, making the process of choosing ten paintings especially challenging and exciting. I would like to publicly thank all of the artists who sent work for me to look at: it was humbling to see how much great painting is happening out there.
The concept artist residency is synonymous with “space and time.” Residencies are founded on the belief that at some point during an artist’s career she or he may have neither the desired space nor required time to create. While every artist might agree that there are not enough hours in the day to do his or her work, whether full-time or stealing moments, there are more reasons to take advantage of a residency besides simply seizing time and space.
I want to share with you some of my best tips—and some ideas that might surprise you—to help you pull it all together for your upcoming residency.
Her painting “Where Do We Go From Here?” is a powerful, disturbing work by one of the few artists in the show who has focussed on the murder victims.
Bringing together local and international artists based in Brooklyn, Jersey City, and Manhattan these selected works speak to the endless possible deviations from reality as envisioned by an unfettered mind.
In the age of instantaneous messaging, constant updates on news feeds, disposable anything and everything, lives broken down into shorter and shorter segments, catering to our waning attention spans – the works in Human Brevity question whether the soul or the internet is the path to immortality.
This extraordinary mosaic is a celebration of faith in Christ within the diversity of their community. The process for the creation of the artwork was designed to offer an opportunity for everyone to participate.
There are two thousand lucky New York City MetroCards upcycled as zoetropes, impressionist cityscapes, shunga-stylized erotica panels and nail-polished pug portraits at the Single Fare 2: Please Swipe Again exhibit, and we stopped by the Sloan Fine
Charis Carmichael Braun, another repeat Single Fare rider, gives a glimpse of an amazing project she was involved in with her Church. She also is
“Study for ‘Creation' is a color study [or a series of images interpreting Christian doctrines as seen through a Lutheran perspective,” says artist Charis Carmichael Braun, the People’s Choice Winner.
A New Ulm native and photographer for The Journal, Braun volunteered to lead the effort to compile and design a 130-page book, an "active pursuit of one’s local history.”
"When you place a marker somewhere, it solidifies and almost immortalizes what happened at that point," said Carmichael Braun. "What's in the book is just the gateway to the more exciting and the colorful stories that are sometimes forgotten and not mentioned."
An Illustrated Guide to Brown County's Sites of Historical Interest.
Bride Charis Carmichael pins a corsage on her groom, Andrew Braun, during Thursday afternoon's outdoor wedding ceremony on the porch of the Dayton House, Worthington.
The mosaic tells a visual story with favorite Bible passages, Christian symbols and Bible stories. Like traditional stained-glass windows found in many churches, our artwork shares the hope, joy, faith, trust, peace, love and grace we have in our Savior. (These words are even hidden in the mosaic.)